There is no outrage over this because Devon is the protagonist Botswana Email Address of a novel published nearly 80 years ago. In Bed We Cry released in 1943 sheds considerable light on the issues facing women. Who are not merely in business but are wildly successful at it. Out of print and largely forgotten it’s worth a fresh look today. You can download it free on the Internet Archive. IN Bed We Cry written by the late Ilka Chase an actress radio host and author. Whose mother Edna Woolman Chase was for 38 years editor of Vogue. There’s a good deal of Edna in Devon. Both raised in small towns to a great extent by surrogates and respected for treating staff fairly. And both were consumed by their jobs. “Mrs. Chase hardly seemed to have a personal life.
When it comes to cosmetics, Devon Elliott seriously successful
She made her career almost her only happiness,” said a 1957 obituary in the New York Times. The article added: “Her personal friends were her business associates. So like one were her home and business life that she had her office decorated in the style of the drawing room in her apartments. Ilka Chase’s novel is, at first, easy to dismiss as a soapy tale of New York’s long ago beau monde, complete with vintage folderol about African-Americans and Jews (almost all of it expressed by the men in the book). Yet in some ways it was far ahead of its time. Devon and the other women at its gulf email list center are affluent, independent, and frankly sexual. Like so many people in business today, Devon finds romance and workplace to be a volatile mix though not in the way you might expect.
The novel focuses on a particular seriously successful
And the book’s advanced treatment of the difficulties besetting seriously successful businesswomen is farsighted and provocative. Also noteworthy: The novel focuses on a particular industry that offered women early opportunities for success. “The very notion of femininity, emphasizing women’s innate taste for beauty, opened opportunities for women in this business, even as it restricted them elsewhere,” wrote historian Kathy Pies in her book Hope in a Jar: The Making of America’s Beauty Culture. “And women seized their chances, becoming entrepreneurs, investors, manufacturers, distributors and promoters’. Devon, who is all of the above, has played out her romance with her right-hand man, Jasper Doolittle, by the time the book begins. The real story, which starts in 1941, is her post-Jasper married life with scientist Tim Wainwright. Wainwright has abandoned a promising career as a researcher to run Devon’s lab, which concocts the company’s highly profitable perfumes, makeups, and lotions.
